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The art of music, Vol. 02 (of 14)

Note 125 — Chapter XIII · VERDI AND HIS CONTEMPORARIES

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This ludicrous concession to archiepiscopal scruples recalls the production of Nabucco in London, where the title was changed to Nino, Rè d’Assyria, in deference to public sentiment—because, forsooth, Nabucco was a Biblical personage. One can fancy how the British public of that day would have received Salomé!

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