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Suppressed Plates, Wood-engravings, &c.

Note 18 — Chapter V · ON SOME FURTHER SUPPRESSED PLATES, ETCHINGS, AND WOOD ENGRAVINGS BY GEORGE CRUIKSHANK

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This use of lamp-black has its parallel in the case of one of the tailpieces to Bewick’s Birds, in the first edition of which an apprentice was employed to veil certain indelicacies with a coat of ink. Unfortunately, from want of density, the colouring rather serves to accentuate than hide the offending details. In the next edition a plug was inserted in the block and two bars of wood engraved in the interests of decency.

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