Note 204 — Chapter V · —THE NATURE OF SEXUAL INVERSION.

Stubbes, in his Anatomy of Abuses, affirmed that "players and play-haunters in their secret conclaves play the Sodomites," and refers to some recent examples of men who had been desperately enamoured of player-boys thus clad in women's apparel, so far as to solicit them by words, by letters, even actually to abuse them. Later on, in 1633, Prynne, in his Histrio-Mastix (part 1, p. 208 et seq.), strongly condemned "this putting on of woman's array" by actors on the same ground, and adds that he has heard credibly reported of a scholar of Balliol College that he was violently enamoured of a boy-player. In Japan, again where, as in China, woman's parts on the stage are taken by men (not always youths), the homosexuality of these players became, during the seventeenth and eighteenth centuries, so notorious that they constituted a class requiring special regulation as Joro, or prostitutes.