← Table of contents
Strange Stories from a Chinese Studio (Volumes 1 and 2)

Note 460 — LXXXVI. THE CLOTH MERCHANT.

Herbert Allen Giles translation

The elaborate gilding and wood-work of an ordinary Chinese temple form a very serious item in the expense of restoration. Public subscriptions are usually the means employed for raising sufficient funds, the names of subscribers and amount given by each being published in some conspicuous position. Occasionally devout priests—black swans, indeed, in China—shut themselves up in boxes studded with nails, one of which they pull out every time a certain donation is given, and there they remain until every nail is withdrawn. But after all it is difficult to say whether they endure these trials so much for the faith’s sake as for the funds from which they derive more of the luxuries of life, and the temporary notoriety gained by thus coming before the public. A Chinese proverb says, “The image-maker doesn’t worship Buddha. He knows too much about the idol;” and the application of this saying may safely be extended to the majority of Buddhist priests in China. return to text

Explore with AITake your curiosity a little further.

Reading settings