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Since Cézanne

Note (return) — CLIVE BELL (continued 2)

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To-day,N when the Carfax Gallery opens its doors at No. 5 Bond Street, and invites the cultivated public to look at the paintings of Duncan Grant, that public will have a chance of discovering what has for some time been known to alert critics here and abroad—that at last we have in England a painter whom Europe may have to take seriously. Nothing of the sort has happened since the time of Constable; so naturally one is excited.

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