Note 298:A — Chapter IX

See his Table, in Supplemental Apology, pp. 466, 467, where he tells us that in making it, he has been governed "rather by the influence of moral certainty, than directed by any supposed necessity of fixing some of the dramas to each year;" but where is the evidence that shall reconcile us to the necessity of passing over the years 1610, 1611, and 1612, without the production of a single play, and then ascribing to the year 1613, three such compositions, as The Tempest, The Twelfth-Night, and Henry VIII.?