Note 110 — V. SAPPHO IN ART

Cf. Jahn, pl. III; Comparetti, op. cit., pl. IV; Furtwängler-Reichhold, Gr. Vas., II, pp. 21 ff., 308 ff., pl. 64; Steiner, Sappho, pp. 54-5; Perrot et Chipiez, Histoire de l’art, X, p. 624, pl. 15; Beazley, J. H. S., XLII, 1922, p. 91; Pfuhl, Malerei und Zeichnung der Griechen, Munich, 1923, p. 399; Hoppin, Handbook of Attic Red-figured Vases, I, p. 461. Hoppin wrongly rejects Furtwängler’s attribution to the factory of Brygus; and wrongly identifies Hauser’s “Frau Meisterin” with Beazley’s Niobid Painter. Perrot (p. 626) says that the Munich vase belongs to a contemporary of Duris but that we shall never know the painter; but on p. 634 he says: “we would be tempted to add the vase to the Berlin amphora painter.”