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Rustic Sounds, and Other Studies in Literature and Natural History

Note 108a — VII. THE PIPE AND TABOR

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Mr. Galpin, however, uses another grip; he crooks the little finger and presses against the lower end of the pipe, of course without occluding the bore at all. In the early drawings reproduced by Strutt (see ante p. 102) the taborers show as a rule three fingers only. This is practically Luca della Robbia’s grip, since the little finger could hardly show in these small illustrations. In Welch’s book on the Recorder (p. 195) is a figure (reproduced from Mahillon) of a Basque holding his 3-holed pipe in a different way, viz., with the ring finger underneath and the little finger unemployed. I find it impossible to hold the pipe in this manner.

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