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Rudimentary Architecture for the Use of Beginners

Note 5 — COLUMNIATION.

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By way of illustrating these terms more directly by instances taken from well-known modern porticoes which answer to the respective denominations and distinctions above noted, we here give a classified list of some of them:

Distyle in antis. Two columns Three St. Paul’s, Covent Garden.

Illustration from Rudimentary Architecture for the Use of Beginners The Orders and Their Æsthetic Principles
Illustration from Rudimentary Architecture for the Use of Beginners The Orders and Their Æsthetic Principles

& two antæ. inter-

columns. Hanover Chapel, Regent Street.

Illustration from Rudimentary Architecture for the Use of Beginners The Orders and Their Æsthetic Principles

Tetrastyle. Four columns. *Covent Garden Theatre.

Hexastyle. Six columns. St. George’s Church, Bloomsbury.

Illustration from Rudimentary Architecture for the Use of Beginners The Orders and Their Æsthetic Principles
Illustration from Rudimentary Architecture for the Use of Beginners The Orders and Their Æsthetic Principles

*St. George’s, Hanover Square.

St. Martin’s Church.

Five *St. Pancras’ Church.

inter- India House.

columns. Post Office.

*College of Surgeons.

*College of Physicians.

*Colosseum.

Octastyle. Eight columns. Seven National Gallery.

Illustration from Rudimentary Architecture for the Use of Beginners The Orders and Their Æsthetic Principles
Illustration from Rudimentary Architecture for the Use of Beginners The Orders and Their Æsthetic Principles

inter- Royal Exchange.

columns. British Museum.

Decastyle. Ten columns. Nine London University College.

Illustration from Rudimentary Architecture for the Use of Beginners The Orders and Their Æsthetic Principles
Illustration from Rudimentary Architecture for the Use of Beginners The Orders and Their Æsthetic Principles

inter-

columns.

The porticoes marked with the * are simple prostyles, or monoprostyle, advancing only a single intercolumn forwarder than the rest of the building; while the others are diprostyle, or show two open intercolumns on their flanks; except Hanover Chapel, whose portico is partly prostyle and partly recessed, and that of the India House, which is entirely recessed, although its elevation is not a composition in antis; had it been such, it would have been a tetrastyle in antis, that and a hexastyle having the same number of intercolumns, viz. five.

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