Note 307.1 — RITUAL AND BELIEF (continued 2)

The story of Pope Innocent belongs to the cycle of the Outcast Child, a well-known group of folk-tales, of which the examples most familiar to us are the story of King Lear and that of Joseph and his brethren. The hero (or heroine) of these tales is cast off by his relatives for reasons at the least excusable. Sometimes, as in the Teleut tale already mentioned, his life is attempted. But in the end he attains a place and dignity which enable him to compel recognition of his wrongs, and, after the infliction of retributive humiliation, to pardon the offenders. In these märchen the pope is not always chosen by the burning of a taper. In the Italian variants the favourite method is by a dove which alights on the hero’s head. In a Swiss story from the Upper Valais two snow-white doves settle on his shoulders. In a Basque story, as the travellers approach Rome the bells begin to ring of themselves. In a story from Upper Brittany the will of Heaven is declared by a bell, which rings of itself when the destined pope passes beneath it. In a story from Normandy the new pope is indicated by “a portion of Heaven stooping upon him whom Jesus would choose to govern His Church.” The collector, while faithfully recording this singular phrase, is puzzled by it, and suggests that it must mean a cloud resting on him.307.1 In all cases it is quite clear that the falling of the lot, however it may be accomplished, is regarded as a direct expression of the divine will. The sacred character of the Papacy, and the names of historical popes, as Innocent and Gregory, given to the heroes, raise the suspicion that these tales are something more than märchen, and lead directly to the enquiry, not whether such prodigies have in fact been the means of determining the succession to the popedom, but whether they have been believed to have occurred.