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Renaissance in Italy, Volumes 6 and 7 (of 7)

Note 220 — Chapter XIII

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Malvasia has preserved, in his Life of Primaticcio, a sonnet written by Agostino Caracci, in which the aims of the Eclectics are clearly indicated. The good painter must have at his command Roman or classic design, Venetian movement and shadow, Lombard coloring, the sublimity of Michelangelo, the truth to nature of Titian, the pure and sovereign style of Correggio, Raphael's symmetry, Tibaldi's fitness and solidity, Primaticcio's erudite invention, with something of Parmigianino's grace (Fels. Pittr. vol. i. p. 129). Zanotti adds: 'This sonnet is assuredly one which every painter ought to learn by heart and observe in practice.'

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