Note 148 — Chapter III
Reading edition
Sarpi, Discorso, vol. iv. p. 25, on Bellarmino's doctrine. Sarpi's Letters, vol. i. pp. 138, 243. Sarpi says that he and Gillot had both had their portraits painted in a picture of Hell and shown to the common folk as foredoomed to eternal fire, because they opposed doctrines of Papal omnipotence. Ibid. p. 151.