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Renaissance in Italy, Volume 4 (of 7), Italian Literature, Part 1

Note 573 — Chapter VII

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In Bello's Mambriano, for instance, we have a very lively picture of the amorous and vain Astolfo. Pulci supplies us with even a more impressive Orlando than Boiardo's hero, while his Amazonian heroines, Meridiana and Antea, are at least rough sketches for Marfisa. It was Boiardo's merit to have grasped these characters and drawn them with a fullness of minute detail that enhances their vitality.

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