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Renaissance in Italy, Volume 4 (of 7), Italian Literature, Part 1

Note 360 — Chapter V

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Some banners—Gonfaloni or Stendardi—of the Perugian fraternities, preserved in the Pinacoteca of that town, are interesting for their illustration of these religious companies at a later date. The Gonfalone of S. Bernardino by Bonfigli represents the saint between heaven and earth pleading for his votaries. Their Oratory (Cappella di Giustizia) is seen behind, and in front are the men and women of the order. That of the Societas Annuntiatæ with date 1466, shows a like band of lay brethren and sisters. That of the Giustizia by Perugino has a similar group, kneeling and looking up to Madonna, who is adored by S. Francis and S. Bernardino in the heavens. Behind is a landscape with a portion of Perugia near the Church of S. Francis. The Stendardo of the Confraternità di S. Agostino by Pinturicchio exhibits three white-clothed members of the body, kneeling and gazing up to their patron. There is also a fine picture in the Perugian Pinacoteca by Giov. Boccati of Camerino (signed and dated 1447) representing Madonna enthroned in a kind of garden, surrounded by child-like angels with beautiful blonde hair, singing and reading from choir books in a double row of semi-circular choir-stalls. Below, S. Francis and S. Dominic are leading each two white Disciplinati to the throne. These penitents carry their scourges, and holes cut in the backs of their monastic cloaks show the skin red with stripes. One on either side has his face uncovered: the other wears the hood down, with eye-holes pierced in it. This picture belonged to the Confraternity of S. Domenico.

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