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Renaissance in Italy, Volume 4 (of 7), Italian Literature, Part 1

Note 274 — Chapter III · (continued 2)

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It ought, however, to be said that, being the first paragraph of the whole book, its style is not so free and simple as in more level passages. Though I do not pretend to understand the meaning clearly, I subjoin a translation.—"Phœbus advancing at that moment, when the forehead of Matuta Leucothea whitened, already free from Ocean's waves, had not yet shown his whirling wheels suspense. But bent with his swift chargers, Pyrous first and Eous just disclosed to view, on painting the pale chariot of his daughter with vermeil roses, in most vehement flight pursuing her, made no delay. And sparkling over the azure and unquiet wavelets, his light-showering tresses flowed in curls. Upon whose advent at that point descending to her rest stayed Cynthia without horns, urging the two steeds of her carriage with the Mule, the one white and the other dark, drawing toward the furthest horizon which divides the hemispheres where she had come, and, routed by the piercing star who lures the day, was yielding. At that time when the Riphaean mountains were undisturbed, nor with so cold a gust the rigid and frost-creating east-wind with the side-blast blowing made the tender branches quake, and tossed the mobile stems and spiked reeds and yielding grasses, and vexed the pliant tendrils, and shook the flexible willows, and bent the frail fir-branches 'neath the horns of Taurus in their wantonness. As in the winter time that wind was wont to breathe. Likewise the boastful Orion was at the point of staying to pursue with tears the beauteous Taurine shoulder of the seven sisters."

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