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Renaissance in Italy, Volume 4 (of 7), Italian Literature, Part 1

Note 87 — Chapter II

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In all his earlier works, especially in the Fiammetta, the Filostrato, the Ninfale Fiesolano, the Amorosa Visione, he sings the hymn of Il Talento, triumphant over medieval discipline. They form the proper prelude to what is sometimes called the Paganism of the Renaissance, but what is really a resurgence of the natural man. It was this talento which Valla philosophized, and Beccadelli and Pontano sang.

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