Note 25 — Paper 61

T The etching is Hind 187. The drawing (Benesch 758, Hofstede de Groot 896) is in the British Museum. Some scholarly misinformation has unfortunately been passed on for years. Münz, op. cit., vol. 2, p. 65, cites Jan Six ("Rembrandt's Vorbereiding ...," Onze Kunst, 1908, II, p. 53), who in turn cites the personal observation of A. M. Hind of the British Museum, to the effect that this drawing of Anslo was backed with black chalk. The two drawings had apparently not been lifted from their mounts in something like sixty years. In answer to the author's inquiry, Mr. J. K. Rowlands, Assistant Keeper, Department of Prints and Drawings, the British Museum, very kindly wrote: "I can now tell you about the backs of H. 42 and H. 187 [that is, the drawings for these two prints], which have now been lifted. The reverse of The Woman Bathing [Diana at the Bath] has the remains of black unrefined chalk upon it and the portrait of Anslo is backed with Ochre tempera. I think this news will interest you." I am most grateful to Mr. Rowlands and his staff for their trouble and kindness.