Note 32 — II. THE BABY’S DEBUT. [5a]

“From the knobb’d bludgeon to the taper switch.” This image is not the creation of the poets: it sprang from reality. The Authors happened to be at the Royal Circus when “God save the King” was called for, accompanied by a cry of “Stand up!” and “Hats off!” An inebriated naval lieutenant, perceiving a gentleman in an adjoining box slow to obey the call, struck his hat off with his stick, exclaiming, “Take off your hat, sir!” The other thus assaulted proved to be, unluckily for the lieutenant, Lord Camelford, the celebrated bruiser and duellist. A set-to in the lobby was the consequence, where his lordship quickly proved victorious. “The devil is not so black as he is painted,” said one of the Authors to the other; “let us call upon Lord Camelford, and tell him that we were witnesses of his being first assaulted.” The visit was paid on the ensuing morning at Lord Camelford’s lodgings, in Bond-street. Over the fire place in the drawing-room were ornaments strongly expressive of the pugnacity of the peer. A long thick bludgeon lay horizontally supported by two brass hooks. Above this was placed parallel one of lesser dimensions, until a pyramid of weapons gradually arose, tapering to a horsewhip: