Note 14c — Chapter II · LOCAL RECORDS OP THE PAST.

Mr. Lewin himself presented the handsome pulpit of Caen stone, the carved poppyheads of the seats, and figures of angels in the roof. The corbels, from which the wooden arches spring, were carved by a barber of Boston, named White, one of three brothers of humble origin, all of whom developed talent in different directions: One (Andrew) as an artist in oil-painting of no small merit,—I have seen an oil-painting by him—another in rustic garden work, and the brother in question (Robert), continuing his calling as a barber, employed his spare time in carving in stone. The corbels in the chancel represent the Queen and Archbishop: those in the north wall of the nave bear the arms of the Rev. E. Walter and his wife; those in the south wall the arms of the Dymokes and the Hotchkin family. The reading desk was presented by the writer in memory of his father, the Rev. E. Walter. As a support to the Credence-table in the chancel is a stone with an effigy of a lady abbess of Stixwould Priory. This, with the stone for the church, was given by the late Mr. Christopher Turnor, owner of the Stixwould Estate, from the Priory ruins, and, as from the rude character of the carving it is evidently of very early date, it has been supposed to represent the Lady Lucia, the foundress: unfortunately, the masonry being dug from confused heaps, covered by the soil and turf of ages, was not, in many cases, laid by the builders in its proper “layer” as it was quarried. Consequently damp has penetrated, and frost and thaw have broken it up in many parts of the church walls. The small coloured window by the pulpit was the gift of the writer’s eldest daughter when a child, as a thank-offering on recovering from an accident, in which she providentially escaped death, when thrown, dragged, and kicked by her run-away pony. An engraving of the church, with description and other particulars, is to be found in the “Illustrated London News,” of September 25th, 1817.