Note 169 — Chapter IV · THE SONG OF THE MOTH

The development of the sun symbol in Faust does not go as far as an anthropomorphic vision. It stops in the suicide scene at the chariot of Helios (“A fiery chariot borne on buoyant pinions sweeps near me now”). The fiery chariot comes to receive the dying or departing hero, as in the ascension of Elijah or of Mithra. (Similarly Francis of Assisi.) In his flight Faust passes over the sea, just as does Mithra. The ancient Christian pictorial representations of the ascension of Elijah are partly founded upon the corresponding Mithraic representations. The horses of the sun-chariot rushing upwards to Heaven leave the solid earth behind, and pursue their course over a water god, Oceanus, lying at their feet. (Cumont: “Textes et Monuments.” Bruxelles 1899, I, p. 178.)