Note 121 — ON INSTRUCTION IN THE CLASSICS AND THE SCIENCES.[113]

"The temptation," Judge Hartwich writes, "to regard the 'taste' of the ancients as so lofty and unsurpassable appears to me to have its chief origin in the fact that the ancients were unexcelled in the representation of the nude. First, by their unremitting care of the human body they produced splendid models; and secondly, in their gymnasiums and in their athletic games they had these models constantly before their eyes. No wonder, then, that their statues still excite our admiration! For the form, the ideal of the human body has not changed in the course of the centuries. But with intellectual matters it is totally different; they change from century to century, nay, from decennium to decennium. It is very natural now, that people should unconsciously apply what is thus so easily seen, namely, the works of sculpture, as a universal criterion of the highly developed taste of the ancients—a fallacy against which people cannot, in my judgment, be too strongly warned."