Note 3 — “THE RIGHT HON. GEORGE CANNING AS A MAN OF LETTERS.”
Reading edition
It is surprising that the satirist’s attention was not attracted to the scene in Stella, in which one of the heroines describes the rapid growth of her passion to its object: “I know not if you observed that you had enchained my interest from the first moment of our first meeting. I at least soon became aware that your eyes sought mine. Ah, Fernando, then my uncle brought the music, you took your violin, and, as you played, my eyes rested upon you free from care. I studied every feature of your face; and, during an unexpected pause, you fixed your eyes upon—upon me! They met mine! How I blushed, how I looked away! You observed it, Fernando; for from that moment I felt that you looked oftener over your music-book, often played out of tune, to the disturbance of my uncle. Every false note, Fernando, went to my heart. It was the sweetest confusion I ever felt in my life.”