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Plays and controversies

Note 13 — THE IRISH DRAMATIC MOVEMENT (continued 3)

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I have heard musicians excuse themselves by claiming that they put the words there for the sake of the singer; but if that be so, why should not the singer sing something she may wish to have by rote? Nobody will hear the words; and the local time-table, or, so much suet and so many raisins, and so much spice and so much sugar, and whether it is to be put in a quick or a slow oven, would run very nicely with a little management.

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