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Pastoral Poetry & Pastoral Drama

Note 172 — Chapter III

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Supposing always that this representation, of which Filippo Baldinucci, in his Notizie dei professori del disegno (sec. iv, dec. vii; 1688, p. 102), has left a glowing account, was a representation of the Aminta, and not, as some have maintained, of the Intrichi d' amore, another play sometimes ascribed to Tasso.

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