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Parallel Paths

Note 185 — Chapter X

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Camille Mauclair, French Impressionists. “Light,” writes M. Mauclair, “becomes the sole subject of the picture; the interest of the object upon which it plays is secondary. Painting thus conceived becomes a purely optic art” (p. 32). “The principal person in a picture,” said Manet, “is the light” (p. 42).

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