Note 216 — ON THE WILL IN NATURE. [190] (continued 2)
Karl Hillebrand translation
The Matsya Parana attributes a similar origin to Brahma's four countenances. It relates that, having fallen in love with his daughter Satarupa, and gazed fixedly at her, she stepped aside to avoid his eye; he being ashamed, would not follow her movement; whereupon a new face arose on him directed towards the side where she was and, on her once more moving, the same thing occurred, and was repeated, until at last he had four faces. ("Asiatic Researches," vol. 6, p. 473.) [Add. to 3rd ed.]