Note 3 — XII Rain-Making Ceremonies
Reading edition
“In the Bellary district when the rain fails, the Kāpu (Telugu cultivator) females catch a frog, and tie it alive to a new winnowing fan made of bamboo. On this fan, leaving the frog visible, they spread a few margosa leaves, and go singing from door to door, ‘Lady frog must have her bath; oh! rain god, give at least a little water for her.’ This means that the drought has reached such a stage that there is not even a drop of water for the frogs. When the Kāpu female sings this song, the woman of the house brings a little water in a vessel, pours it over the frog, which is left on the fan outside the door sill, and gives some alms. She is satisfied that such an action will bring down rain in torrents. On the first full-moon day in the month of Bhadrapada (September), the agricultural population in the Bellary district celebrate a festival called Jokumara, to appease the rain-god. The Barike women (said to belong to the Gaurimakkalu section of the Kabbēra caste) go round the village in which they live, with a basket on their heads containing margosa leaves, flowers of various kinds, and sacred ashes. They beg for alms, especially from the cultivating classes, and, in return for the alms bestowed (usually grain or food), they give some of the leaves, flowers, and ashes. The cultivators take these to their fields, prepare cholam (Sorghum) kanji or gruel, mix them with it, and sprinkle the kanji over their fields. After this the cultivator proceeds to the potter’s kiln in the village, and fetches ashes from it, with which he makes the figure of a human being. This figure is placed in a field, and called Jokumara or rain-god, and is supposed to have the power of bringing down the rain in due season. A second kind of Jokumara worship is called muddam, or the outlining of rude representations of human figures with powdered charcoal. These are made in the early morning, before the bustle of the day commences, on the ground at cross-roads, and along thoroughfares. The Barikes, who draw these figures, are paid a small remuneration in money or kind. The figures represent Jokumara, who will bring down rain, when insulted by people treading on him. Yet another kind of Jokumara worship prevails in the Bellary district. When rain fails, the Kāpu females model a small figure of a naked human being, which they place in a miniature palanquin, and go from door to door, singing indecent songs, and collecting alms. They continue this procession for three or four days, and then abandon the figure in a field adjacent to the village. The Mālas take possession of the abandoned Jokumara, and, in their turn, go about singing indecent songs, and collecting alms for three or four days, and then throw the figure away in some jungle. This form of Jokumara worship is also believed to bring down plenty of rain. In the Bellary district, the agriculturists have a curious superstition about prophesying the state of the coming season. The village of Mailar contains a Siva temple, which is famous throughout the district for an annual festival held there in the month of February. This festival has now dwindled into more or less a cattle fair. But the fame of the temple continues as regards the Karanika, which is a cryptic sentence uttered by the priest, containing a prophecy of the prospects of the agricultural season. The pujāri (priest) of the temple is a Kuruba (cultivating caste). The feast at the temple lasts for ten days. On the last day, the god Siva is represented as returning victorious from the battlefield, after having slain the demon Malla (Mallāsura) with a huge bow. He is met half-way from the field of battle by the goddess. The wooden bow is placed on end before the god. The Kuruba priest climbs up it, as it is held by two assistants, and then gets on their shoulders. In this posture he stands rapt in silence for a few minutes, looking in several directions. He then begins to quake and quiver from head to foot. This is the sign of the spirit of the god Siva possessing him. A solemn silence holds the assembly, for the time of the Karanika has arrived. The shivering Kuruba utters a cryptic sentence, such as ‘Thunder struck the sky.’ This is at once copied down, and interpreted as a prophecy that there will be much rain in the year to come.”3