Note 45 — CROMER.
Reading edition
Whoever has seen King’s College Chapel or any other building where there is a profusion of painted glass and where the other parts are fitted up with Norway oak, the colour of which is dark brown, must have perceived a visible effect produced by the solemnity of its appearance. In all churches having any claim to antiquity the light appears to have been sparingly introduced, and to me it has always a very pleasing effect.