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Observations on the Florid Song

Note 28 — CHAP. II.[16]

John Ernest Galliard translation

All Intervals, rising with an Appoggiatura, arise to the Note with a sort of Beat, more or less: and the same, descending, arrive to the Note with a sort of Shake, more or less. Pl. III. Numb. 9, 10. One cannot agreeably ascend or descend the Interval of a third Major or Minor, Pl. III. Numb 11. But gradually very well. Pl. III. Numb. 12. Examples of false or deceitful Intervals. Pl. III. Numb. 13.

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