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No enemy

Note 13 — PART TWO CERTAIN INTERIORS (continued 2)

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Gringoire particularly asks me to style this chapter as above because the Eminent Reformer, mentioned in Part I, Chapter VI, once said that the Writing on the Wall at Belshazzar’s Feast was the first recorded instance of a Kinematographic production. It seems stupid: but our friend insists. He also asks me to say that Mme. Prudent’s name was really Dutoit.

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