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Nietzsche and Art

Note 69 — Part II

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On the walls of some of the tombs I inspected at Sakarah, the consummate mastery with which some of the minutest characteristics of domestic animals were represented in bold outline gave me a standard by the side of which even M. Boutet de Monvel's beautiful studies of animals seemed to fall into the shade. (See his illustrations to La Fontaine's fables.)

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