Note 114 — Chapter III

Sir George Birdwood says: “The intimate absorption of Hindu life in the unseen realities of man’s spiritual consciousness is seldom sufficiently acknowledged by Europeans, and, indeed, cannot be fully comprehended by men whose belief in the supernatural has been destroyed by the prevailing material ideas of modern society. Every thought, wish, and deed of the Hindu belongs to the world of the unseen as well as the seen; and nothing shows this more strikingly than the traditionary works of India. Everything that is made has a direct religious use, or some religious symbolism. The materials of which different articles are fashioned, their weight, and the colours with which they are painted, are fixed by religious rule. An obscured symbolism of material and colour is to be traced also in the forms of things, even for the most domestic uses. Every detail of Indian decoration, Aryan or Turanian, has a religious meaning, and the arts of India will never be rightly understood until there are brought to their study, a familiar acquaintance with the character and subjects of the religious poetry, national legends, and mythological scriptures that have always been their inspiration, and of which they are the perfected imagery.” See Sir George Birdwood’s “Indian Arts,” part i. p. 2.