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Needlework As Art

Note 109 — Chapter III

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“(Euripides loquitur) Not horse-cocks, nor yet goat-stags, such as they depict on Persian carpets” (Aristophanes, “The Frogs,” v. 939-944). The Persian carpets, which are the legitimate descendants of Babylonian art, are curiously fragmentary. In a modern design are to be seen birds, indicated by a head, bill, and eyes; little coffee-pots, and flowers broken off at the stalks, and small quadrupeds without any particular form; also the prehistoric cross, the Tau, and bits of broken-up wave and key patterns. All these, repeated into a pattern, remind us of scraps in a kaleidoscope, thrown together accidentally, or else taken up by chance where history and art have dropped them.

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