Note 72 — Chapter I

In his designs for papers and textiles, Mr. Morris’ poetical and artistic feeling—his admiration and sensitiveness for all that is beautiful and graceful (as well as quaint)—his respect for precedent, added to his own fanciful originality,—have given a colour and seal to the whole decorative art of England of to-day. It is a step towards a new school. The sobriety and tenderness of his colouring gives a sense of harmony, and reconciles us to his repetitions of large vegetable forms, which remind us sometimes of a kitchen-garden in a tornado. For domestic decoration we should, as far as possible, adhere to reposing forms and colours. Our flowers should lie in their allotted spaces, quiet and undisturbed by elemental struggles, which have no business in our windowed and glass-protected rooms.