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Needlework As Art

Note 31 — Chapter I

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“The Beautiful Gate of the Temple was covered all over with gold. It had also golden vines above it, from which hung clusters of grapes as tall as a man’s height.... It had golden doors of 55 cubits altitude, and 16 in breadth: but before these doors there was a veil of equal largeness with the doors. It was a Babylonian curtain of blue, fine linen, and scarlet and purple; of an admixture that was truly wonderful. Nor was the mixture without its mystical interpretation; but was a kind of image of the universe. For by the scarlet was to be enigmatically signified fire; by the fine flax, the earth; by the blue, the air, and by the purple, the sea;—two of them having their colours for the foundation of this resemblance; but the fine flax and the purple have their own origin for this foundation, the earth producing the one, and the sea the other. This curtain had also embroidered upon it all that was mystical in the heavens excepting the twelve signs of the zodiac, representing living creatures.” Josephus (Trans. by Whiston), p. 895.

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