Note 7 — CONTENTS.

The astrologers were exceedingly ingenious in showing that their art had given warning of the great plague and fire of London. Thus, the star which marks the Bull's northern horn—and which is described by Ptolemy as like Mars—was, they say, exactly in that part of the sign Gemini which is the ascendant of London, in 1666. Lilly, however, for whom they claim the credit of predicting the year of this calamity, laid no claim himself to that achievement; nay, specially denied that he knew when the fire was to happen. The story is rather curious. In 1651 Lilly had published his Monarchy or no Monarchy, which contained a number of curious hieroglyphics. Amongst these were two (see frontispiece) which appeared to portend plague and fire respectively. The hieroglyphic of the plague represents three dead bodies wrapped in death-clothes, and for these bodies two coffins lie ready and two graves are being dug; whence it was to be inferred that the number of deaths would exceed the supply of coffins and graves. The hieroglyphic of the fire represents several persons, gentlefolk on one side and commonfolk on the other, emptying water vessels on a furious fire into which two children are falling headlong. The occurrence of the plague in 1665 attracted no special notice to Lilly's supposed prediction of that event, though probably many talked of the coincidence as remarkable. But when in 1666 the great fire occurred, the House of Commons summoned Lilly to attend the committee appointed to enquire into the cause of the fire. 'At two of the clock on Friday, the 25th of October 1666,' he attended in the Speaker's chamber, 'to answer such questions as should then and there be asked him.' Sir Robert Brooke spoke to this effect: 'Mr. Lilly, this committee thought fit to summon you to appear before them this day, to know if you can say anything as to the cause of the late fire, or whether there might be any design therein. You are called the rather hither, because in a book of yours long since printed, you hinted some such thing by one of your hieroglyphics.' Unto which he replied: 'May it please your honours, after the beheading of the late king, considering that in the three subsequent years the Parliament acted nothing which concerned the settlement of the nation's peace, and seeing the generality of the people dissatisfied, the citizens of London discontented, and the soldiery prone to mutiny, I was desirous, according to the best knowledge God had given me, to make enquiry by the art I studied, what might, from that time, happen unto the Parliament and nation in general. At last, having satisfied myself as well as I could, and perfected my judgment therein, I thought it most convenient to signify my intentions and conceptions thereof in forms, shapes, types, hieroglyphics, etc., without any commentary, that so my judgment might be concealed from the vulgar, and made manifest only unto the wise; I herein imitating the examples of many wise philosophers who had done the like. Having found, sir, that the great city of London should be sadly afflicted with a great plague, and not long after with an exorbitant fire, I framed these two hieroglyphics, as represented in the book, which in effect have proved very true.' 'Did you foresee the year?' said one. 'I did not,' said Lilly; 'nor was desirous; of that I made no scrutiny. Now, sir, whether there was any design of burning the city, or any employed to that purpose, I must deal ingenuously with you, that since the fire I have taken much pains in the search thereof, but cannot or could not give myself the least satisfaction therein. I conclude that it was the finger of God only; but what instruments He used thereunto I am ignorant.'