Note 55 — INTRODUCTION
Mary Blaiklock translation
In truth, this genius was smouldering since his childhood; it was there from the beginning; and the proof of it lies in the fact that he used for his Ouverture des Francs-Juges and for the Symphonie fantastique airs and phrases of quintets which he had written when twelve years old (see Mémoires, I, 16-18).