Note 118 — Chapter IX
Reading edition
Those who erroneously think that there is nothing of the dissonant element in Haydn should examine the Prelude to The Creation—a real anticipation, in its use of the chromatic element, of Tristan and Isolde.
Reading edition
Those who erroneously think that there is nothing of the dissonant element in Haydn should examine the Prelude to The Creation—a real anticipation, in its use of the chromatic element, of Tristan and Isolde.