Note * — Front matter
Reading edition
The first subject of the finale of Mendelssohn's first piano quartett is a very close, though probably unconscious, imitation of the opening bars of the finale of Mozart's sonata in C minor.
Reading edition
The first subject of the finale of Mendelssohn's first piano quartett is a very close, though probably unconscious, imitation of the opening bars of the finale of Mozart's sonata in C minor.