Note 49 — Chapter I

He continues thus, "To illustrate these observations, let us consider the steps by which Milton must have proceeded, in creating his imaginary garden of Eden. When he first proposed to himself that subject of description, it is reasonable to suppose that a variety of the most striking scenes which he had seen, crowded into his mind. The association of ideas suggested them and the power of conception placed each of them before him with all its beauties and imperfections. In every natural scene, if we destine it for any particular purpose, there are defects and redundancies, which art may sometimes, but cannot always correct. But the power of imagination is unlimited. She can create and annihilate, and dispose at pleasure her woods, her rocks, and her rivers. Milton, accordingly, would not copy his Eden from any one scene, but would select from each the features which were most eminently beautiful. The power of abstraction enabled him to make the separation, and taste directed him in the selection."