Note 70 — Chapter III

There is a piece of tone of the same kind, equal in one part, but not so united with the rest of the picture, in the storm scene illustrative of the Antiquary,—a sunset light on polished sea. I ought to have particularly mentioned the sea in the Lowestoffe, as a piece of the cutting motion of shallow water, under storm, altogether in gray, which should be especially contrasted, as a piece of color, with the grays of Vandevelde. And the sea in the Great Yarmouth should have been noticed for its expression of water in violent agitation, seen in enormous extent from a great elevation. There is almost every form of sea in it,—rolling waves dashing on the pier—successive breakers rolling to the shore—a vast horizon of multitudinous waves—and winding canals of calm water along the sands, bringing fragments of bright sky down into their yellow waste. There is hardly one of the views of the Southern Coast which does not give some new condition or circumstance of sea.