Note 68 — Chapter III
Reading edition
The "yesty waves" of Shakspeare have made the likeness familiar, and probably most readers take the expression as merely equivalent to "foamy;" but Shakspeare knew better. Sea-foam does not, under ordinary circumstances, last a moment after it is formed, but disappears, as above described, in a mere white film. But the foam of a prolonged tempest is altogether different; it is "whipped" foam,—thick, permanent, and, in a foul or discolored sea, very ugly, especially in the way it hangs about the tops of the waves, and gathers into clotted concretions before the driving wind. The sea looks truly working or fermenting. The following passage from Fenimore Cooper is an interesting confirmation of the rest of the above description, which may be depended upon as entirely free from exaggeration:—"For the first time I now witnessed a tempest at sea. Gales, and pretty hard ones, I had often seen, but the force of the wind on this occasion as much exceeded that in ordinary gales of wind, as the force of these had exceeded that of a whole-sail breeze. The seas seemed crushed; the pressure of the swooping atmosphere, as the currents of the air went howling over the surface of the ocean, fairly preventing them from rising; or where a mound of water did appear, it was scooped up and borne off in spray, as the axe dubs inequalities from the log. When the day returned, a species of lurid, sombre light was diffused over the watery waste, though nothing was visible but the ocean and the ship. Even the sea-birds seemed to have taken refuge in the caverns of the adjacent coast, none reappearing with the dawn. The air was full of spray, and it was with difficulty that the eye could penetrate as far into the humid atmosphere as half a mile,"—Miles Wattingford. Half a mile is an over-estimate in coast.