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Modern Painters, Volume 1 (of 5)

Note 21 — Chapter II

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This is saying too much; for it not unfrequently happens that the light and shade of the original is lost in the engraving, the effect of which is afterwards partially recovered, with the aid of the artist himself, by introductions of new features. Sometimes, when a drawing depends chiefly on color, the engraver gets unavoidably embarrassed, and must be assisted by some change or exaggeration of the effect; but the more frequent case is, that the engraver's difficulties result merely from his inattention to, or wilful deviations from his original; and that the artist is obliged to assist him by such expedients as the error itself suggests.

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