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Modern Painters, Volume 1 (of 5)

Note 62 — Chapter I

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Parsey's "Convergence of Perpendiculars." I have not space here to enter into any lengthy exposure of this mistake, but reasoning is fortunately unnecessary, the appeal to experiment being easy. Every picture is the representation, as before stated, of a vertical plate of glass, with what might be seen through it, drawn on its surface. Let a vertical plate of glass be taken, and wherever it be placed, whether the sun be at its side or at its centre, the reflection will always be found in a vertical line under the sun, parallel with the side of the glass. The pane of any window looking to sea is all the apparatus necessary for this experiment, and yet it is not long since this very principle was disputed with me by a man of much taste and information, who supposed Turner to be wrong in drawing the reflection straight down at the side of his picture, as in his Lancaster Sands, and innumerable other instances.

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