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Modern Painters, Volume 1 (of 5)

Note 18 — Chapter I

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We must not leave the subject of tone without alluding to the works of the late George Barrett, which afford glorious and exalted passages of light; and John Varley, who, though less truthful in his aim, was frequently deep in his feeling. Some of the sketches of De Wint are also admirable in this respect. As for our oil pictures, the less that is said about them the better. Callcott has the truest aim; but not having any eye for color, it is impossible for him to succeed in tone.

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