Note 38 — The Mirror for Magistrates.
Reading edition
Thomas Chaloner, born in London about the year 1515, was descended from an ancient family of Denbigh in Wales. He studied at both Universities. Having accompanied Sir Henry Knevet, embassador from Hen. VIII. to the emperor Charles Vth, he afterwards was with that emperor in the expedition against Algiers in 1541. Upon his return to his native country, he became a favourite with the protectour Somerset, and for his gallant conduct at the battle of Musselburgh in 1547, “the protectour,” says Lloyd, “honoured him with a knighthood, and his Lady with a jewel, the delicate and valiant man at once pleasing Mars and his Venus too.” He went embassador with Sir William Pickering into France, 1553. Being a consistent protestant, he remained unshaken during the turbulent period of Queen Mary, devoting his time in retirement to literature, and then wrote his contribution to the Mirrour for Magistrates. Immediately upon the accession of Elizabeth, he was again called into active life, and successively her embassadour to the Emperor Ferdinand, and to Philip king of Spain, from which last, in consequence of his irksome situation, he obtained a recal in 1564, by addressing an Elegy, written in imitation of Ovid, to Elizabeth. He probably did not afterwards meddle with public affairs, dying at his own residence which he had built upon Clerkenwell Close, on Oct. 10th, 1565, and on the 20th was buried at St. Paul’s. His publications are enumerated in the Biographia Britannica, and Wood’s Ath. Oxon. Vol. I. col. 346; but his productions as an English poet are of recent discovery. In the Nugæ Antiquæ, edited by Mr. Park, 1804, Vol. II. p. 372, is the Epistle of Helen to Paris, translated from Ovid, by Sir Thomas Chaloner, Knt. which, from the date of the manuscript, and the contemporary testimony, now first discovered, in proof of his having indulged his Muse in her native tongue, may with confidence be assigned to his pen. The authority for the appropriation to him of the Legend of the Duke of Norfolk, is given in Vol. II. p. 53. In that authority he is called Master Chaloner some years after his obtaining knighthood, and from that circumstance George Puttenham might allude to him when he praises “For Eglogue and pastorall poesie, Sir Philip Sydney and Maister Challenner, and that other Gentleman who wrate the late shepheardes callender,” although otherwise from the date of the Art of Poesy, being 1580, it might rather be transferred to his son, who was born 1559, and is said to have discovered at the University extraordinary talents in Latin and English poetry.