Note 47 — Chapter III
Frederick Street translation
In entering the chapel of S. Lorenzo the tomb of Giuliano, Duke of Nemours, (Action) is on the right; and on the left that of Lorenzo, Duke of Urbino (the Thinker); and opposite the altar, the Virgin nursing the Child. Each of the two captains is placed in a rectangular niche flanked by two other niches which are empty. Below each of them on the fluted cover of a sarcophagus arc two allegorical figures half reclining (Day and Night—Dawn and Twilight) with their backs turned. The sarcophagi are designedly much too small; there is hardly room for the figures on them. No doubt Michelangelo wished to emphasise the impression of heroic and agonising effort produced by the sight of these athletic forms turned back upon themselves in involved and constrained portions. The two tombs were finished in 1531. We know the admirable verses which Michelangelo wrote on his figure of Night and which undoubtedly date from a dozen years later, March, 1544. See Frey CIX. pp, 16-17.