Note 21 — Chapter XLIV

I shall not fine and renew a lease of popularity upon the theatre. To write for low, ill-informed, and conceited actors, whom you must please, for your success is necessarily at their mercy, I cannot away with. How would you, or how do you think I should relish being the object of such a letter as Kean[21] wrote t'other day to a poor author, who, though a pedantic blockhead, had at least the right to be treated as a gentleman by a copper-laced, twopenny tearmouth, rendered mad by conceit and success? Besides, if this objection were out of the way, I do not think the character of the audience in London is such that one could have the least pleasure in pleasing them. One half come to prosecute their debaucheries, so openly that it would degrade a bagnio. Another set to snooze off their beef-steaks and port wine; a third are critics of the fourth column of the newspaper; fashion, wit, or literature, there is not; and, on the whole, I would far rather write verses for mine honest friend Punch and his audience. The only thing that could tempt me to be so silly, would be to assist a friend in such a degrading task who was to have the whole profit and shame of it.