Note 307 — Chapter IV

A friend has recently suggested to me an interesting illustration of the applicability of military instrumentalities to pacific art. The sale of gunpowder in the United States, he informs me, is smaller since the commencement of the present rebellion than before, because the war has caused the suspension of many public and private improvements, in the execution of which great quantities of powder were used for blasting.

It is alleged that the same observation was made in France during the Crimean war, and that, in general, not ten per cent. of the powder manufactured on either side of the Atlantic is employed for military purposes.

It is a fact not creditable to the moral sense of modern civilization, that very many of the most important improvements in machinery and the working of metals have originated in the necessities of war, and that man's highest ingenuity has been shown, and many of his most remarkable triumphs over natural forces achieved, in the contrivance of engines for the destruction of his fellow man. The military material employed by the first Napoleon has become, in less than two generations, nearly as obsolete as the sling and stone of the shepherd, and attack and defence now begin at distances to which, half a century ago, military reconnoissances hardly extended. Upon a partial view of the subject, the human race seems destined to become its own executioner—on the one hand, exhausting the capacity of the earth to furnish sustenance to her taskmaster; on the other, compensating diminished production by inventing more efficient methods of exterminating the consumer.

But war develops great civil virtues, and brings into action a degree and kind of physical energy which seldom fails to awaken a new intellectual life in a people that achieves great moral and political results through great heroism and endurance and perseverance. Domestic corruption has destroyed more nations than foreign invasion, and a people is rarely conquered till it has deserved subjugation.