Note 150 — Chapter XII

In this place, where we are concerned chiefly with the position of the Medici in connection with the development of art, we cannot refer in detail to the literature, which has been much enriched of late years by Gastano Milanesi’s researches among the archives, on the Tuscan painters of the early quattrocento (Giornale storico degli Archivi Toscani, vols. iv. and vi., and reprinted in Sulla storia dell’arte Toscana, Siena 1873), made use of by Crowe and Cavalcaselle in their History of Painting in Italy.